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Mihai Băcăran

I am an independent researcher focussing on intersections of art and technology. My research proposes a speculative understanding of art spectatorship grounded in theories of individuation (Simondon, Deleuze, Stiegler, Hui) modulated with phenomenological accounts inspired by the works of Sara Ahmed and Vivian Sobchack among others. I am particularly interested in engaging with processes of spectatorship that act as vectors of (dis)orientation, challenging, deconstructing, and remodeling the embodied experience of living in cultures permeated by digital technologies. My current research project addresses the labour of audio transcription for AI (one of the basic data entry jobs that ground the current AI boom) as a performative process of spectatorship. I base my theoretical account on my personal experience of working as a transcriber.

Besides my academic activity, I am also a founding member of the independent art project dalpofzs (www.dalpofzs.com) which focuses on small-scale projects that combine art practice and conceptual enquiry.

Interests

Art and Technology, Philosophy of Individuation (Simondon, Deleuze, Stiegler, Hui), Net Art, Specta(c)torship, Art Theory, Audio Transcription for AI