Zain Alam
Zain Alam (b. 1990) is an artist and composer of Hindustani origin born in Flushing, Queens and raised outside of Atlanta. His work emerges from a lifelong question: in what ways can sound convey the ineffable? He contemplates especially the distance between the effable in one language and what lies beyond translation to another.
His recording project Humeysha began during his year working as an oral historian for 1947 Partition Archive. Across video, performance, and installation, sound remains the central organizing principle in Alam's practice, in addition to collaborations in film, sculpture, and design.
Alam’s work has been featured in Hyperallergic, Vice, Village Voice, and the New York Times. His performances have been staged at the Rubin Foundation, Creative Time, and Center for Arts, Research and Alliances (CARA). His installations have been exhibited by the Laundromat Project, American Cultural Association of Morocco, and Elizabeth Foundation for the Arts.
He completed his graduate work in Islamic studies at Harvard University. He is a spring 2026 MacDowell fellow and a 2026 NYSCA/NYFA Artist Fellow in Digital/Electronic Arts.
His multi-channel installation work Meter & Light: Night was on view at The Shed as part of their summer 2025 Open Call exhibition. He will be conducting research in South Asia for the next installment of Meter & Light as a recipient of the 2026-2027 Creative Research Grant from the Foundation for Contemporary Arts.
Publications and Exhibitions
Essays
2023 Infinities from One: Style and Multiplicity in Islamic Recitation (excerpt), The Rubin Foundation, NYC
2020-2021 Sacred Space: on sound and faith in the pandemic, newsletter
2019 Introducing: Humeysha’s “Nusrat on the Beach,” Talkhouse, NYC
2017 Secondary Screening, The New Yorker
2017 Ramadan: Here Comes the Sun, Buzzfeed, NYC
2017 Islam & the Imagination: Notes from a Muslim-American Artist, Miami Rail
Bibliography & Press
2026 Approaching Perfection by Travis Diehl & Zain Alam, The Eden Assemblage
2026 Artful Immersion: Interlocking Rhythms of Time in Muslim Life, MacDowell
2025 On Zain Alam’s Meter & Light: Night by Walter Ancarrow, Fran Magazine
2025 AAPI Artists Reinterpreting Tradition at The Shed’s “Open Call: Portals” by Bri Ng Schwartz, The Amp
2025 Exhibition Review: “Open Call: Portals” at The Shed, Hudson Yards by Liam Otero, Art & Ponder
2025 Early-Career NYC Artists Display New Work At The Shed In Hudson Yards by Jane Levere, Forbes
2025 Brooklyn-based artists shine in The Shed’s free summer exhibition, ‘Open Call: Portals’ by Jenny Seo, Brooklyn Paper
2024 Artists Look to Sufism for Echoes of the Divine, Sadaf Padder, Hyperallergic
2024 Peeling Back the Layers of Religious Devotion (exhibition review), AX Mina, Hyperallergic
2021 Urgent Archives: Enacting Liberatory Memory Work - Introduction, Michelle Caswell, UCLA
2020 "This is What Feels True to Me, & I Believe That Deserves to Take Up Space," Passion of the Weiss
2019 Humeysha Channels Summery Calm For ‘Nusrat on the Beach’, Rolling Stone India
2019 The Archival Spark, Tides - SAADA
2019 14 Concerts to Check Out in NYC This Weekend, New York Times
2018 ‘A Wonderful Alchemy’: Inside the Music (and Mind) of Zain Alam, Pacific Standard
2018 A Haunting View on Leaving Home, Clove Magazine, London
2018 On Departures, Humeysha Transcribes the Diasporic Experience, Stereogum, NYC
2018 Hindi-Urdu-English: The Theopoetics of Humeysha, Open Horizons, Boston
2017 Why This Musician Wants to Understand Xenophobia by Remembering, Public Radio Intl.
2016 Humeysha Explore Migration and Longing, Village Voice, NYC